I found your take to be very melodic.Īlto - the backing feels disconnected here (I mean the mix), but your approach works well. Again, the patience and execution were both there. Dig! Even though you seemed to steer more toward a more jazz approach than the others, this take really works. Randulo - Interesting that so many chose the higher voices on this and each take is so individual. You're nailing that pop-sound, sort of like late 70s Sanborn. Alas, had I been able to execute like you did here, we'd probably still be working together.Īlex - Ah, you went all quiet storm with it. He was good about sharing the space, but we didn't always agree on what songs would work best for a horn (he tended to hear things in that Robert Cray horn style, I don't). Worked with a band whose leader was a REALLY strong guitarist. Fighting guitarists is always a challenge. Taragot - 'spooky sopran' might work as a 'stage' name in certain circles! Can't believe you're getting that kind of intonation out of a Chinese horn! /hats off/ There's a certain famous soprano player who's gotten very rich saying far less than you do on this take. that a G? I think we hear this similarly, but your execution is WAY better than mine. After hearing everyone's takes, I really wish I'd just parked it until I had time to shed.
